Rapper's Delight Delights Me, Still
It's 1980. I'm twelve and at a middle school dance. The DJ plays a song I've never heard before.
It opens with eight long measures of percussion atop the bass. At measure five, clapping comes in. A tantalizing synth zooms in from outer space and back out again. Then come the words:
I said-a hip, hop, the hippie, the hippie, to the hip hip hop-a you don't stop the rock it to the bang-bang boogie say up jump the biggie to the rhythm of the boogie, the beat.
-The opening lyrics to Rapper's Delight by The Sugarhill Gang
This thing.
Still gives me chills.
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Rapper's Delight was the first rap song I'd ever heard – the first super quick words and rhyme conveying story you hope to catch but it goes by too quickly, so you have to hope it comes on the radio again soon, and that you'll have your cassette player in hand ready to hit "record" the minute it comes on. Some of you remember what I'm talking about.
In those years, I lived in a community outside Washington D.C. that was quite diverse, which was so important for my developing identity as a Black and biracial child. But that experience would be short lived, because Daddy worked for President Carter and Reagan beat Carter later that fall. So when Daddy lost his job my folks decided we'd move to Wisconsin the following summer. As I packed up my bedroom, I sealed up Rapper's Delight in a box with other records. I also carried it with me to the midwest in my bones.
We moved 800 miles north and west, and I began my freshman year in a high school of about 1,200 kids, almost all of whom were white. My new friends listened to artists like The Cars, Journey, Duran Duran, Davie Bowie, Blondie, Cyndi Lauper, Soft Cell, Simple Minds, Talking Heads, Tears for Fears, The Police, and The Cure. But occasionally in the soundscape of my midwestern town I'd catch a sliver of The Sugarhill Gang's Rapper's Delight on the airwaves, and when I did, it beckoned me. It said This music is here, baby, don't forget it. Don't forget how it makes you feel.
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So imagine my delight when a few years back I was browsing online and saw the opening lyrics to Rapper's Delight laid out as a poster you could hang on a wall. Oooh, I said in a text to Dan with the link. We need this. We have a lot of art in our yard and I thought we might add these words to our eclectic outdoor mix. Dan, who is an artist and works with metal, thought about making the poster into a metal sign. Ultimately we decided that a painted sign on the side of the house was the way to go.
For my Christmas present in 2019, Dan told me he'd hired a sign painter. The pandemic slowed the process down. But before long, two humans came and painted these glorious lyrics in a sign that is eleven-feet-tall on the side of our house directly across from my outdoor writing pod where I write these thoughts down for you.
I truly love these words, and I'm proud to wear them on my house. So, I was a tad embarrassed when I learned that The Sugarhill Gang weren't necessarily the dope dudes I'd thought they were.
You see, mid-pandemic, I was settled in with Dan and our son Sawyer to watch the Netflix documentary "Hip Hop Evolution," which featured incredible original footage of artists and producers cutting tracks in basements and backyards, spinning records for hungry dancers in clubs, and selling mix tapes on the street. It also offered fascinating interviews and biographies of key players involved with the origin of hip hop.
Imagine my surprise when I learned that The Sugarhill Gang were actually not the scrappy visionaries that I'd thought they were. That instead, a shrewd producer named Sylvia Robinson – who wanted to capitalize on the tremendous popularity of this new method and flavor of music by bringing it to pop audiences – decided to cherry-pick a group of musicians and form them into a group of her making, for the sole purpose of writing Rapper's Delight. Robinson succeeded. Rapper's Delight became the first rap single to become a Billboard Top 40 hit. So while yes, The Sugarhill Gang came out of hip hop's inaugural era in the 1970s, they were a facsimile, a re-production, of the real thing. These dudes and this song were thought to be marketable to the pop audience. And, they were. And well, that's how the song found little old me.
Hence my feeling a tad of embarrassment. Meaning, I thought I'd loved hip hop from the start. I've come to realize that I liked the candied version of it that was meant to appeal to the masses. Kinda like liking the Americanized version of Chinese Food. Or even American cheese.
But you know what? To hell with that – fact is, I loved it. It spoke to me when I was twelve and it found me across the airwaves when I needed it and it speaks to me still! 🎤 🤎
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Are there any lyrics you'd paint on a wall to remind you of something that deeply matters? If so, what are they? Share in the comments below!
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